
Graham Stephenson is a trumpet player based in Chicago. He uses amplification to explore the inner workings of the instrument, bringing tiny sounds into audibility and using them as material in creating spacious yet insistent performances. He has worked with many improvisers in Chicago and beyond, and has recordings on Erstwhile Records and Pilgrim Talk.
Casey Anderson (they / them) is designing and repurposing technologies to activate participatory practice, primarily involving explorations of sound, in diverse cultures and communities. Performances, exhibitions, and residencies include MOCA - Los Angeles (CA), ISSUE Project Room (NY), STEIM (NL), Atlantic Center for the Arts (FL), Mass MOCA (MA), The Walker Art Center (MN), and The Geffen Contemporary at MOCA (CA). Over the last two decades they have lead numerous initiatives at the intersection of arts programming and community organization, including hybrid web-journal/festivals (the Experimental Music Yearbook, with John P. Hastings and Scott Cazan), as well as community arts centers/venues like Trade School (with Arden Stern), the wulf., BETALEVEL, and Machine Project. As an educator they have taught at ArtCenter College of Design and UCLA. They currently live in Los Angeles, California, own and operate the organizational initiative a wave, and teach at KAOS Network.
M.A. Tiesenga is a composer, visual artist, sound artist, multi-instrumentalist, and improviser who uses expanded notation systems as inquiries into new sonic and relational possibilities. Their work explores the interplay between the procedure and enaction of scores within collaborative performance contexts, and sculpts that interplay into different sonic idioms. Conceiving of the musical score as both art object and notated intention, Tiesenga’s work allows both object and performance to be experienced as modular, living landscapes that reflect the people and spaces that engage them.
Trade School is an organization centered on building worker power through creative experimentation and education. Our mission is to provide affordable, accessible space for workers across communities to gather, exhibit, play, perform, teach, and learn. Founded by two design educators (Arden Stern and Casey Anderson) indebted to the radical visions of labor activism and liberation movements past and present, it was previously based on Hahamog’na land in the unincorporated area now known as Altadena, California.


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