members of the wulf. community will present workshops and music.
Sequenced Schedule: (1:00pm - 5:00pm)
Laura Steenberge: build your own instrument
Scott Cazan: record a sound with your newly built instrument (mixed and amplified by the wulf.)
Dicky Bahto: documentation piece filming video for projection at the sunday studio
Alan Nakagawa: “What’s in the Box?”
Rotating pieces in designated areas:
1:00 – 2:00 Casey Anderson: talk radio - a radio opera
2:30 - 3:00 Casey Anderson: talk radio - a radio opera
3:30 - 4:30 Liam Mooney: Styrofoam orchestra
4:00 – 5:00 James Klopfleisch: text/music/choir
Laura Steenberge is a composer and performer who sings and plays piano, contrabass, and viola da gamba. Her practice is centered on language and the voice, encompassing studies of medieval chant, the function of non-semantic language, folksong traditions, and the physics of harmony. Since 2021 she has been based in Asheville, North Carolina.
Scott Cazan is composer, performer, and sound artist from Los Angeles working in experimental music, sound installation, and software art exploring cybernetics, aesthetic computing, and emergent forms resulting from human interactions with technology. His work often involves the use of psychoacoustics and feedback networks where misunderstanding and chaotic elements act as a catalyst for emergent forms in art and sound.
Dicky Bahto lives in Los Angeles. He has exhibited work utilizing still and motion picture photography, sound, and performance at a variety of museums, galleries, microcinemas, film festivals, conferences, alternative spaces, and scenic locations spanning the Northern Hemisphere, from the Museum of Modern Art and the Museum of Contemporary Art Los Angeles to Life Changing Ministries (a former church in West Oakland) and a series of nooks, crannies, and underbrush along and under Sunset Blvd. He’s received commissions from The Museum of Modern Art, The Getty Museum, Monday Evening Concerts, and The Huntington, and grants from the Mike Kelley Foundation for the Visual Arts and bar-fund LA.
Alan Nakagawa is an interdisciplinary artist with archiving tendencies, primarily working with sound, often incorporating various media and working with communities and their histories. He has created a series of Invisible Architecture experiences that are mash ups of the recorded acoustics of historical sites, giving new context to historic places through a contemporary lens of sound.
Casey Anderson (they / them) is designing and repurposing technologies to activate participatory practice, primarily involving explorations of sound, in diverse cultures and communities. Performances, exhibitions, and residencies include MOCA - Los Angeles (CA), ISSUE Project Room (NY), STEIM (NL), Atlantic Center for the Arts (FL), Mass MOCA (MA), The Walker Art Center (MN), and The Geffen Contemporary at MOCA (CA). They co-founded, and co-edited (with John P. Hastings and Scott Cazan), the Experimental Music Yearbook, and own and operate a wave. They currently live in Los Angeles, California, co-run Trade School with Arden Stern, and teach at KAOS Network and ArtCenter College of Design.
Liam Mooney is a musician who composes for noisy, unwieldy wind and percussion instruments. This often relies upon the use—and misuse—of familiar objects and materials, such as balloons, vacuum cleaners, dry ice, triangles, rubber bands, drums, styrofoam, and pipes and tubes of all sorts. He currently lives in Los Angeles, CA.
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