
Schedule:
ROTHKO ROOM:
Matt Barbier and Luke Storm - JUZ by Wolfgang von Schweinitz and a new work by Larry Polansky - 1:00 to 2:00 pm (trombone and tuba)
Christine Tavolacci - performing Carlos Inderhees Buch fur Flöte - 2:00 to 2:55 pm (flute)
KLINE ROOM:
Mark So - END ROAD WORK / NO PARKING / BOB LOVES BETTY (2011) for Liz - 1:00 to 3:30 (cassette playback)
STELLA ROOM:
Harris Wulfson - LiveScore - 1:00 to 1:45 pm. (for mixed ensemble) Performers: Ezra Buchla, Heather Lockie, Christine Tavolacci, Eric Clark, Casey Anderson
Michael Winter - room and seams - 3:00 to 3:20 pm. (for chimes and strings) Performers: Mark So, Scott Cazan, Liam Mooney, Corey Fogel, Ezra Buchla, Eric Clark, Laura Steenberge, Heather Lockie
Corey Fogel - drums - 3:30 - 4:00 pm
RAUSCHENBERG ROOM:
Casey Anderson - Whitespace - 1:50 to 2:30 pm (for radios) Performers: Corey Fogel, Casey Anderson, Colin Woodford, Colin Wambsgans, Liam Mooney
Tashi Wada - alignment - 3:00 to 3:30 pm
FRANK, RAUCHENBERG, ALTOON ROOMS:
Eric KM Clark - Experiment in Memory and Pitch - from 2:30 to 3:00 pm (speaker playback)
RUSCHA, FRANCIS, WHITE ROOMS:
Laura Steenberge - Folk Music for MOCA - from 2:20 to 2:50 pm (for three stringed instruments) Performers: Ezra Buchla, Heather Lockie, Laura Steenberge
RUSCHA ROOM:
Ezra Buchla - COMPRESSION OF THE CHEST CAVITY MIRACLE - 3:20 to 4:00 (for viola and live electronics)
READING ROOM:
Daniel Corral - NEOTROPE - 1:00 to 1:30 pm (for six accordions)
Dicky Bahto - Documents - 1:30 to 3:00 pm (film)
ARCO COURT:
Alan Nakagawa - Isocube - 1:45 to 2:15 pm (home-brew electronics)
SCULPTURE PLAZA:
Artmaking Activity - 1:00 to 3:45 pm
Daniel Corral - Music Boxes & Card Pieces - 1:00 to 4:00 pm
Scott Cazan - new piece - 1:15 to 2:20 pm (home-brew electronics)
Liam Mooney - 180° - 2:20 to 2:50 pm (triangles and dry ice) Performers: Mike Winter, Liam Mooney
John Cage - Number 6 - workshop - 2:50 to 3:30 pm Led by Casey Anderson
Mark So works at the cusp of experimental music and poetics. Recent readings, performances, installations, listening rooms, and streetwork have taken place in L.A., Portland, Marfa, New York, and Mexico City, including collaborations with Manfred Werder, Eileen Myles, and others. His work in print appears in Word Events (eds. John Lely & James Saunders), Walking from Scores (ed. Elena Biserna), Peripheries Journal, The Open Space, and with poet Tim Johnson, Pathetic Literature (ed. Eileen Myles). Marfa Book Co. published A Box of Wind, collecting nearly 300 scores from his Ashbery series. Recordings have been released on caduc., editions wandelweiser, winds measure, The Open Space, Motor Image, and his own death-spiral. He lives in and out of Los Angeles.
Laura Steenberge is a composer and performer who sings and plays piano, contrabass, and viola da gamba. Her practice is centered on language and the voice, encompassing studies of medieval chant, the function of non-semantic language, folksong traditions, and the physics of harmony. Since 2021 she has been based in Asheville, North Carolina.
Corey Fogel (b 1977) is a composer, drummer, and artist based in Los Angeles. He works across genre and medium to explore many facets of improvisation. He approaches sounds, textiles, collaborators, gestures, and objects as viable materials for spontaneous, strategized, time-based experimental performance, often incorporating sculpture, video, music traditions, theatricality, and ritual.
Casey Anderson (they / them) is designing and repurposing technologies to activate participatory practice, primarily involving explorations of sound, in diverse cultures and communities. Performances, exhibitions, and residencies include MOCA - Los Angeles (CA), ISSUE Project Room (NY), STEIM (NL), Atlantic Center for the Arts (FL), Mass MOCA (MA), The Walker Art Center (MN), and The Geffen Contemporary at MOCA (CA). They co-founded, and co-edited (with John P. Hastings and Scott Cazan), the Experimental Music Yearbook, and own and operate a wave. They currently live in Los Angeles, California, co-run Trade School with Arden Stern, and teach at KAOS Network and ArtCenter College of Design.
Liam Mooney is a musician who composes for noisy, unwieldy wind and percussion instruments. This often relies upon the use—and misuse—of familiar objects and materials, such as balloons, vacuum cleaners, dry ice, triangles, rubber bands, drums, styrofoam, and pipes and tubes of all sorts. He currently lives in Los Angeles, CA.
Dicky Bahto lives in Los Angeles. He has exhibited work utilizing still and motion picture photography, sound, and performance at a variety of museums, galleries, microcinemas, film festivals, conferences, alternative spaces, and scenic locations spanning the Northern Hemisphere, from the Museum of Modern Art and the Museum of Contemporary Art Los Angeles to Life Changing Ministries (a former church in West Oakland) and a series of nooks, crannies, and underbrush along and under Sunset Blvd. He’s received commissions from The Museum of Modern Art, The Getty Museum, Monday Evening Concerts, and The Huntington, and grants from the Mike Kelley Foundation for the Visual Arts and bar-fund LA.
Alan Nakagawa is an interdisciplinary artist with archiving tendencies, primarily working with sound, often incorporating various media and working with communities and their histories. He has created a series of Invisible Architecture experiences that are mash ups of the recorded acoustics of historical sites, giving new context to historic places through a contemporary lens of sound.
Scott Cazan is composer, performer, and sound artist from Los Angeles working in experimental music, sound installation, and software art exploring cybernetics, aesthetic computing, and emergent forms resulting from human interactions with technology. His work often involves the use of psychoacoustics and feedback networks where misunderstanding and chaotic elements act as a catalyst for emergent forms in art and sound.
Michael Winter's practice as a composer and sound artist ranges from music created by digital and acoustic instruments to installations and kinetic sculptures. His works typically explores simple processes and often reflects his related interests in phenomenology, mathematics, epistemology, algorithmic information theory, and the history of science. He often collaborates other artists, mathematicians, and scientists bringing objects, ideas, and texts from various domains as structural elements in his pieces. His approach to sound aims to subvert discriminatory conventions and hierarchies by exploring alternative forms of presentation and interaction, often with minimal resources and low information. Winter's work has been presented at REDCAT, Ostrava Festival of New Music, Tsonami Arte Sonoro Festival, Huddersfield New Music Festival, and Umbral Sesiones at Museo de Arte Contemporáneo de Oaxaca. Recordings of his music are on XI Records, Another Timbre, New World Records, Edition Wandelweiser, Bahn Mi Verlag, Tsonami Records, and Pogus Productions. In 2008, he co-founded the wulf., a Los Angeles-based organization dedicated to experimental performance. From 2018 to 2019, he was a fellow at Akademie Schloss Solitude. He currently reside in Berlin.

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